
Loosely based on the 1939 novel “The Hidden Staircase,” screenwriters Nina Fiore and John Herrera have retrofitted a classic Nancy Drew story with some contemporary snap. (And, it seems important to note, Lillis is a shining star in every situation that “Hidden Staircase” throws her way choosing the “It” breakout as the newest on-screen Nancy Drew is the smartest choice that went into the entire film.) Nancy Drew is better than this and, in fits and starts, “Nancy Drew and the Hidden Staircase” is too. The trio cook up a plan to go after the one thing that means the most to him: “his social media presence.” Things can only get better from there, because while Nancy is as capable and quick as ever, watching her shuffle around a high school gym dressed as a janitor in order to best a knucklehead who has been literally illegally mean to one of her best friends seems as thin and silly as it sounds.
#BEST NANCY DREW GAMES REDDIT MOVIE#
'I Want You Back' Review: Jenny Slate and Charlie Day Get Stuck in a Confounding Rom-Com MiscalculationĮmmy Predictions: Outstanding Supporting Actor in a Limited or Anthology Series or MovieĮmmy Predictions: Outstanding Lead Actress in a Limited or Anthology Series or Movie 'Deadstream' Review: What If '80s Sam Raimi Made a Horror Movie About a Twitch Streamer? Best pal Bess (a bubbly Mackenzie Graham) has been the victim of cyberbullying (“And now it’s gone viral!,” one character yells about the undercooked piece of plot), and Nancy and other best pal George (a sardonic Zoe Renee) are instantly ready to enact some public shaming of the offender, resident rich kid Derek (Evan Castelloe). Before Nancy and her pals can set about the film’s eponymous mystery - though said hidden staircase appears nearly an hour into the film, and is mostly stuck playing second fiddle to a hidden doorway and a hidden fuse box - they need to do battle with some good, old-fashioned bullies. Mostly, there’s the internet, which exists in “Nancy Drew and the Hidden Staircase” primarily as a way to telegraph that this film is indeed set in 2019, even if little else does. First, there’s the outwardly modern stuff.
